Thursday 29 September 2011

High Abstract, Poussin Gallery, and review of abstractcritical


High Abstract
Poussin Gallery, London
11 February–12 March 2011

In his preface to the catalogue for Poussin Gallery’s current exhibition, High Abstract, Mel Gooding is keen to establish that, “a simple definition of what might be admitted under the rubric of ‘abstract’ has never been agreed by artists or by critics or by art historians.”

To read the rest of this review please go to:

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