n. pl. cor·po·ra (-pr-)
1. A large collection of writings of a specific kind or on a specific subject.
2. A collection of writings or recorded remarks used for linguistic analysis.
3. The main part of a bodily structure or organ.
//Reviews of art. Art and language. Art and the body.
Thursday, 29 September 2011
Eyewitness: Hungarian Photography in the 20th Century, Royal Academy of Arts, London
Eyewitness: Hungarian Photography in the 20th century
Brassaï, Capa, Kertész, Moholy-Nagy, Munkácsi
The Sackler Wing of Galleries, Royal Academy of Arts, London
30 June–2 October 2011 by ANNA McNAY
“Photography is a universal language, a direct means of communication without need of translation,” says Cornell Capa explaining the entry into photojournalism of his brother Robert after being sent into exile in Berlin in 1931, scarcely able to speak any German. Perhaps this is why the development of 20th century photography can be largely attributed to five Hungarian Jews, all of whom were forced to leave their native country to live and work abroad. Their stories – as well as that of the burgeoning genre (or genres) of photography – are presented in the Royal Academy’s exhibition, Eyewitness, which brings together some 200 photographs from between 1918–1989, taken by over 40 Hungarian photographers, but focusing on the works of the five most seminal: Brassaï (1899–1984), Robert Capa (1913–1954), André Kertész (1894–1985), László Moholy-Nagy (1895–1946), and Martin Munkácsi (1896–1963).