Abstraction and Atonality
Wassily Kandinsky, František Kupka, and Arnold SchönbergMuseum Kampa, Prague
12 May–31 July 2011 (extended to 31 August 2011)
by ANNA McNAY
František Kupka (1871–1957) is generally recognised to be the best-known Czech artist from the 20th century, and Museum Kampa in Prague is proud to house one of the largest private collections of his work. It is not surprising, therefore, that their recent exhibition – successful enough to be extended by a month – focused largely on his story, with Wassily Kandinsky (1866–1944) and Arnold Schönberg (1874–1951) as peripheral figures. This did not, however, detract from the show, for which the driving concept was an examination of the relationship between abstraction and atonality, or patterns of music and visual composition.
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