Saturday, 18 March 2017
Interview: İ Ata Doğruel
Interview with İ Ata Doğruel
With the launch, at the beginning of 2016, of Performistanbul, the first international platform in Turkey to bring together and support performance artists, the medium has been rapidly garnering popularity. The founding director, Simge Burhanoğlu, has established successful collaborations with many leading art institutions in Istanbul, and now works with 10 artists, mostly on a contractual basis. One of these artists is İ Ata Doğruel (b1991, Kütahya), who graduated at the start of the year from the media and visual arts department at Koç University in Istanbul, where, until recently, he had been studying law. Inspired by the likes of Marina Abramović and Tehching Hsieh, Doğruel’s long-durational work aims to push his physical and mental boundaries, focusing on concepts such as abstracting and endurance.
From 10am on 19 February to 10am on 21 February, Doğruel undertook a 48-hour performance, Endless Field, as part of the Performistanbul programme, in the Zilberman Gallery project space. During this time, the artist was blindfolded and wore heavy-duty headphones to block out all external distraction. The audience were allowed in to the space during the day, and, from 7.30pm to 10am, could observe Doğruel through the gallery’s glass doors, as he slept on a yoga mat. Basic food was provided in the corner of one of the two rooms and a bath full of cold water was there in case he should become too sleepy. The changing audience members were invited to attempt to interact, should they so wish. Photography and filming were permitted, and an official film was being shot for 15 minutes out of every hour, from which a short time-lapse film is to be made, which might function as a sellable edition.
Studio International met with Doğruel in the run up to his performance.
Read the interview here