n. pl. cor·po·ra (-pr-)
1. A large collection of writings of a specific kind or on a specific subject.
2. A collection of writings or recorded remarks used for linguistic analysis.
3. The main part of a bodily structure or organ.
//Reviews of art. Art and language. Art and the body.
Thursday, 17 November 2011
Interview with Rachel Howard re. Folie à Deux at Blain|Southern
Rachel Howard: Folie à Deux
12 October–22 December 2011
by ANNA McNAY
Rachel Howard is not an artist to shy away from heavy subject matter; sin, suicide, madness, the fragility of the human condition. Trained at Goldsmiths, and studio assistant to Damien Hirst from 1992–1996, Howard is a widely exhibited and successful artist in her own right, recognisable for her trademark use of household paint, which she separates into pigment and varnish, to create a dragging effect of colour across the canvas. Her current exhibition at Blain|Southern, Folie à Deux, is named after the clinical definition for a psychosis in which delusional beliefs are transmitted from one individual to another. Studio International spoke to Howard about her inspirations and fears.