Showing posts with label Michael Landy. Show all posts
Showing posts with label Michael Landy. Show all posts

Friday, 6 May 2016

Interview with Gillian Wearing

06/05/16
Interview: Gillian Wearing

As part of this year’s Brighton Festival, Turner Prize-winning artist Gillian Wearing (b1963) will be premiering her new film, A Room With Your Views, part of her collaborative, global film project, Your Views, for which she asked people – everyone – from around the world to film and submit a short clip of their curtains or blinds opening and the view from their window.


Wearing, whose work explores our public personas and private lives, describes her working method as “editing life”. She uses photography and film, alongside theatrical staging techniques, to record people’s confessions and present herself in various guises and with various masks.

She spoke to Studio International about the ideas behind her project.

Read the interview here






Wednesday, 1 October 2014

Interview with Michael Landy

01/10/14
Interview with Michael Landy

Michael Landy (born 1963, London) studied at Goldsmiths and is one of the so-called YBA (Young British Artists) generation, who took part in the first great artist-led warehouse exhibition, Freeze, alongside Damien Hirst, in 1988. He really made his name, however, in February 2001, when he systematically catalogued and destroyed all 7,227 of his personal belongings during a two-week long “performance” in a disused department store on Oxford Street, called Break Down. More recently, Acts of Kindness on the London Underground documented, as its titles suggests, kindly interactions between commuters and users of the transport system. Nowadays, Landy is, as he puts it, albeit very tongue in cheek, “all grown up”, having been elected not only as a Royal Academician, but also made Professor of Drawing at the Academy Schools. “Actually,” he laughs, “I’m just trying to find a way I can get thrown out of there, really. That’s what I’m thinking about at the moment.”


In October 2013, Landy moved in to a new studio on Calvin Street, in trendy Shoreditch. Just around the corner from Spitalfields fruit and vegetable market, the building is one of a whole line that used to be used as warehouse storage space. “You could actually walk between all of the buildings,” Landy explains, “but, at some point, someone decided to turn them into homes.” When he and his partner, fellow artist Gillian Wearing, bought the space at number 27, they had it gutted and built on a new top floor in which they now live. Landy describes it as a “live-work space”, although the studio remains very much just that, and is separate from their private quarters.



To read the rest of this interview, please buy issue 11 (September 2014) of Art.Zip or see the online version, pp55-62, here: http://www.artzip.org/art-zip-september-2014-issue-11-art-studio-london






Friday, 31 May 2013

Review of Michael Landy: Saints Alive at the National Gallery


31/05/13
Michael Landy: Saints Alive
National Gallery, Sunley Room
23 May – 24 November 2013

“Before we go any further, can I just make sure that you actually know who I am and that you know what I do?” This was the question with which Michael Landy (born 1963) announced himself upon arrival at the National Gallery having been invited for consideration for the Rootstein Hopkins Foundation Associate Artist scheme. A Goldsmiths graduate (1985-1988), a YBA, and a participating artist in the notorious Freeze exhibition (1988), Landy is probably best known for his 2001 installation, Break Down, for which he took over an empty department store building on Oxford Street and systematically catalogued and destroyed everything he ever owned. One might, therefore, understand his uncertainty. Nevertheless, he was appointed as the gallery’s eighth Associate Artist and accordingly given a studio for two years. 




To read the rest of this review, please go to: http://www.studiointernational.com/index.php/michael-landy-saints-alive