Read the full review here
Thursday, 30 November 2017
Book review of Firecrackers: Female Photographers Now
By Fiona Rogers & Max Houghton
Published by Thames & Hudson
There has been no shortage of books on female photographers appearing over recent months, so what does this compendium, published by Thames & Hudson this autumn, add to the library that its predecessors haven’t already provided? Certainly many of the artists included have been represented elsewhere, and some of the images are beginning to feel a little overly familiar – but, in a world where Helmut Newton’s vampy erotica or Robert Doisneau’s iconic Le Baiser de l’Hôtel de Ville (1950) are recognisable in the flash of an eye, why shouldn’t Juno Calypso’s saccharine pink Honeymoon series nymphets (2015-16) and Natasha Caruana’s faceless brides (Fairytale for Sale series, 2011) be just as familiar and ubiquitous?
Tuesday, 28 November 2017
Interview with Pamela Schilderman
17 October - 16 December 2017
Born in Holland to a Dutch father and Brazilian mother, Pamela Schilderman (b1982) spent her early years in Rwanda before moving to Rugby in the Midlands when she was five. Questions of identity and language thus played a key role in her formative years and it is unsurprising that they now permeate her artistic practice. Her current project, Casket (2017), comprises a Victorian-style wrought iron and glass jewellery box (bespoke, as, indeed, is everything in this work), containing the artist’s thumbprint, DNA profile and hair follicles, a drawing of a photograph of her retina, and a copper cast of her teeth. Each item has been painstakingly handmade and carries with it symbolism on numerous levels. Created as a self-portrait, the work has been shown anonymously in most of its venues: Schilderman hopes this will raise questions about identity and portraiture and what it is that defines each of them.
Read the interview here