Showing posts with label Lynette Yiadom-Boakye. Show all posts
Showing posts with label Lynette Yiadom-Boakye. Show all posts

Thursday, 9 March 2017

Film overview: When the Heavens Meet the Earth at Heong Gallery, Downing College, Cambridge

09/03/17
When the Heavens Meet the Earth 
Heong Gallery, Downing College, Cambridge
25 February - 21 May 2017

When the Heavens Meet the Earth – the fourth exhibition at the Heong Gallery at Downing College, Cambridge is showcasing a small
selection from Robert Devereux’s African art, or Sina Jina, collection.

In 2010, the multimillionaire, formerly a partner in the Virgin empire and Richard Branson’s brother-in-law, sold off two-thirds of his collection of postwar British art and used the £4 million proceeds to set up a charity supporting artists in Africa. The African Arts Trust, as it was named, supports grassroots organisations, which, in turn, support African artists with basic needs such as studios and residencies.


The exhibition specifically seeks to include some lesser-known artists, but there are some established names as well, including El Anatsui, 2013 Turner Prize nominee Lynette Yiadom-Boakye and Ibrahim Mahama, who showed in Venice in 2015 and currently has an exhibition at White Cube Bermondsey, London. Another well-known name is the South African photographer Zanele Muholi, whose work with the LGBTQ community places her at continual risk in a censorious and critical society.

Ranging across photography, painting, sculpture and film, the exhibition evidences the wealth of artistic creativity and output from the second largest continent in the world.


Studio International spoke to Devereux at the opening of the exhibition.


Watch this film here



Wednesday, 19 August 2015

Review of Facing History: Contemporary Portraiture at the Victoria and Albert Museum

19/08/15
Facing History: Contemporary Portraiture
Victoria and Albert Museum, London
27 July 2015 – 24 April 2016

At first glance, the 34 silhouettes are identical reproductions; look a little closer, however, and there are minute differences – hairstyle, direction of gaze, the fall of the light across the woman’s shoulder. This series of portrait miniatures, Made Up Love Song (2011), portraying V&A visitor services assistant Sophia, is the work of the V&A’s 2011 photography artist-in-residence, Bettina von Zwehl (b1971), and its acquisition sparked the idea for this tightly curated, artistically and politically astute display, Facing History: Contemporary Portraiture, which comprises about 80 prints and photographs, drawn from the V&A’s collection, spanning the past 20 years.



Read the review here



Thursday, 5 December 2013

Review of Turner Prize 2013 at Building 80/81, Ebrington, Derry~Londonderry


05/12/13
Turner Prize 2013
Building 80/81, Ebrington, Derry~Londonderry
23 October 2013 – 5 January 2014
The French-born film and installation artist Laure Prouvost (born Croix-Lille, 1978) has won the 29th Turner Prize. That makes it two years in a row that my personal favourite has won. Maybe I should take up gambling? Then again, maybe not, as I wouldn’t in a month of Sundays have placed my money where my heart was. The bookies’ favourite for most of the run-up was Glaswegian jester David Shrigley (born Macclesfield, 1968), while word about town (aka the art world) favoured Germano-British performance artist Tino Sehgal (born London, 1976). Then there was the alternative of Lynette Yiadom-Boakye (born London, 1977), the first black woman to be nominated.