Showing posts with label race. Show all posts
Showing posts with label race. Show all posts

Sunday, 14 December 2014

Why We Love: Jade Pollard-Crowe

14/12/14
Why We Love: Jade Pollard-Crowe

“It is really important that my work is from a black gay female,” says upcoming performer and artist Jade Pollard-Crowe. “Society sees ‘issues’ such as race, sexuality and gender as separate entities when, in reality, they combine to build our identities. I identify as a Lesbian (my sexuality) and Queer (my gender). A new personal word I’ve come up with is Stag – stud and, well, you work it out!”

DIVA first came across Jade at the RVT 150th birthday celebrations this summer, where she took part in the Duckie Summer School and performed a slick show, playing on her naturally androgynous physicality. “Many of us inhabit what I would describe as ‘the in between’,” she says. “I naturally feel masculine whilst claiming my femininity. I have learnt to embrace both energies. A close friend’s boyfriend confessed he feels I suit a beard better than he does!”


Jade’s performances are highly political and she’s been strongly influenced by queer theory and race politics. She studied Fine Art at Sheffield Hallam University, where her first performance, Boi-lesque – Performance 1, involved drag, yellow PVC, fierce music and a strip down to her binding and packed underwear.

Jade is both an artist and a performer. “The artist is who I am, it’s integral to my being and what keeps me going. The performer is my body as a medium utilised to express concerns I have.” And since those concerns affect us all, Jade is certainly a Stag to watch.






Saturday, 19 October 2013

Video Interview with Kara Walker at Camden Arts Centre


19/10/13
Kara Walker: We at Camden Arts Centre are Exceedingly Proud to Present an Exhibition of Capable Artworks by the Notable Hand of the Celebrated American, Kara Elizabeth Walker, Negress
Camden Arts Centre
11 October 2013 - 5 January 2014

Kara Walker’s work is a dark and, at times, sinister, exploration of race, gender, sexuality and violence in American history and society. Best known for her life-size black paper silhouettes, Walker’s work is often displayed in the form of cyclorama, with light projections causing the visitors’ shadows to intermingle with the fictional (and factual) characters on the walls. More recent works include puppet films telling open-ended narratives about the abuse of power. “I don’t know how much I believe in redemptive stories,” says Walker. “Triumph never sits still. Life goes on. People forget and make mistakes. Heroes are not completely pure, and villains aren’t purely evil. I’m interested in the continuity of conflict.”




To watch the interview, please go to: http://www.studiointernational.com/index.php/kara-walker