Review of Toulouse-Lautrec and the Masters of Montmartre online at Victoria Art Gallery, Bath

18/11/20

Toulouse-Lautrec and the Masters of Montmartre 

Victoria Art Gallery, Bath

Available online

 

“They don’t pretend to be precious stuff; they’ll be torn down in a little while and others will be put up, and so on: they don’t give a damn! That’s great! – and that’s art, by God, and the best kind, mixed in with life, art without any bluffing or boasting and within the easy reach of ordinary guys,” said the anarchist art critic and aesthete Félix Fénéon.

 

This exhibition, comprising 80 colour “street art” posters by Henri de Toulouse-Lautrec and his contemporaries, including Pierre Bonnard, Jules Chéret, Alphonse Mucha and Théophile Steinlen, was long in the planning at Victoria Art Gallery in Bath. Sadly, it was open for less than two months before closing because of the Covid pandemic. The gallery, however, which intends to remain closed until next spring, has responded by moving nearly 50 works from the exhibition online: and not just the images, but also audio accompaniments for 16 of them, giving information about the artists, the bohemian celebrities of turn-of-the-century Montmartre, and background music to bring the atmosphere of the café-concert to life. 

Read the full review here

 

Book Review: The Art of the Erotic

16/02/18
Book Review: The Art of the Erotic
Phaidon Editors

Published in the winter 2017 issue of Art Quarterly

Review of Bonnard: En toute intimité at the Musée Bonnard, Le Cannet, France

13/01/17

Bonnard: En toute intimité

Musée Bonnard, Le Cannet, France

26 November 2016 – 23 April 2017

With the title Bonnard: En toute intimité, one might well expect an exhibition focusing on the artist’s nudes, or more erotic elements of his work, but, just as Tracey Emin’s tent, Everyone I Have Every Slept With 1963-1995, includes those with whom she simply enjoyed (or otherwise) the intimacy of a shared bed – or womb – so this beautifully curated show at the Musée Bonnard, in the artist’s ultimate hometown of Le Cannet, on the Côte d’Azur, looks at those people, places and things to which the artist was especially close at different points throughout his life. Arranged largely chronologically, it comprises about 60 works from the museum’s collection, alongside a handful of loans, and a number of new acquisitions from the Musée d’Orsay.

Read the rest of this review here

Image:

Pierre Bonnard

Paysage, soleil couchant (Landscape at sunset), c1923. 

Oil on canvas, 59 x 72.5 cm. 

Musée Bonnard, Le Cannet, gift from the Fondation Meyer pour le développement culturel et artistique, permanent loan from the musée d’Orsay, Paris. 

© Adagp, Paris 2016. © RMN-Grand Palais (musée d'Orsay) / Hervé Lewandowski.

Review of Eva Stenram: Positions at the Siobhan Davies School of Dance

22/02/15

Eva Stenram: Positions

Siobhan Davies School of Dance

16 January – 22 March 2015

Just as languages are made up of signs, carefully arranged according to rules of syntax, so dances are made up of positions, choreographed to present a certain imagery. In her various series of photographic works, currently on show at the Siobhan Davies School of Dance in Southwark, Eva Stenram collates these different postures – actually digitally isolated from 1950s and 60s pin-ups, not dance-related at all – into a dictionary of gesture and posture, full of possibility of meaning.

All around the building – in reception, in the meeting room, in the stairwell, in the toilet – she has hung works from her on-going series, Parts (2013-14). Stockinged limbs, some with fishnets, most with stilettos, on leather sofas and carpets with thick pile, the feet arch as a moment of intimacy or rapture is interrupted. Carelessly discarded, these legs appear sinister – the images could perhaps be crime scene shots. This uncanny element resonates still more with the chosen real world surroundings when, upstairs, outside the practice rooms, a row of empty shoes stand in line, beneath a photograph of a castaway limb.

To read the rest of this review, please go to: http://www.photomonitor.co.uk/2015/02/positions-2/