Showing posts with label Patricia Cronin. Show all posts
Showing posts with label Patricia Cronin. Show all posts

Thursday, 9 April 2020

The impact of Covid-19 on artists. Part 3: building communities and finding inner resilience

09/04/20
Part 3: Building communities and finding inner resilience

In the third part of this five-part essay, comprising conversations with artists around the globe, we look at the impact the pandemic – and imposed isolation – is having on them in terms of community and inner resilience

In Italy, the first western country to be badly hit by Covid-19, Francesca Pasquali (b1980, Bologna) describes the situation vividly: “Helplessness, fear, confusion – these are just some of the sensations we’re experiencing at the moment. Some people are gone, others are waiting for a verdict, poised between life and death. Uncertainty walks beside me, beside us, hour after hour, day after day. However, I am convinced that in such a dark and sad period, we must find within us resources and motivation to make sure that everything starts again as soon as possible, with renewed enthusiasm and desire to do. DO! This is the imperative … My doing is in art, my welcoming refuge. I live in the countryside and my studio is a few steps from the house. I see it from the window as soon as I wake up. It just waits to get dirty, to be messed up! I am lucky to be able to continue working, pending receipt of new dates for the exhibitions that have been postponed. Postponed? Cancelled? Who can say with certainty? Today the phone no longer rings, no emails arrive except those that communicate that exhibitions, fairs and other events are postponed. The galleries are inactive; in Italy, culture was the first sector to be affected by closures. But we did not give up, we invented a new way of enjoying art, because the desire to know and see does not subside. Never before have social media and the internet been so vital a means of connection between the isolated self and the whole world. There is fear, it is tangible, but I don’t want to get overwhelmed by emotion. These are the moments in which a sense of community, of union, re-emerges, and the true values that keep a system up and running return. The same values that I try to convey with my work: involvement, activation, sharing, love for beauty. Culture is a common good, essential.”


Read the rest of part three here




Tuesday, 23 June 2015

Interview with Patricia Cronin at Shrine for Girls, Chiesa di San Gallo, 56th Venice Biennale

23/06/15
Patricia Cronin: Shrine for Girls
Brooklyn Rail Curatorial Projects
Chiesa di San Gallo, Venice
9 May – 22 November 2015

Gang rape and lynching; kidnap; forced labour: throughout history, women and girls have been subjected to terrible violence and repression around the world. More shockingly, in many places, it still goes on today. In her site-specific installation Shrine for Girls, New York-based artist Patricia Cronin (b1963) commemorates three such cases: the rape, murder and hanging from trees of three girls in India in June 2014 (the “mango tree rape case”); the kidnapping of 276 female students by the jihadist militants of Boko Haram in Nigeria in April 2014; and the many young women pushed into forced labour in the Magdalene asylums and laundries in Europe and North America from the late-18th century to as recently as 1996. These are represented respectively by piles of saris, hijabs and grey aprons, one on each of the three stone altars in Chiesa di San Gallo, Venice’s smallest church, now deconsecrated and serving as a cultural space.


Three shrines, each accompanied by a framed photograph, offering space for reflection, contemplation and remembrance; space for learning lessons; space for lamenting wrongs done and recalling these – and many other – young girls, whom Cronin considers to be secular or gender martyrs, since, unlike religious martyrs, they receive no otherworldly triumph.

Cronin talks to Studio International about why these stories had such a huge impact on her and what compelled her to speak out.