Tuesday, 31 January 2017

Review of Sheida Soleimani: To Oblivion at Edel Assanti

31 January 2017
Sheida Soleimani: To Oblivion
Edel Assanti
20 January – 18 February 2017


Brought up with the stories of her parents’ dramatic escapes as political refugees from Iran, Sheida Soleimani (b1990) only discovered that this was not the norm, at the age of six, when she began school and learned English. Having been in hiding for three years, her father made his escape on horseback over the mountains. Her mother was captured and held prisoner, tortured and raped, for a long time thereafter. Finally having been released, she and her young daughter (Sheida’s older sister) were reunited with her husband in Ohio, where Sheida was born and brought up. At art school, Soleimani wanted to make work about her parents’ experiences, but, on the advice of her tutor, realised she needed to contextualise her stories. Her first major success, National Anthem (2016), exploring Iran’s turbulent past and present through still life and self-portrait, lost her the right to Iranian citizenship. Her latest work, some of which is on show in the solo exhibition, To Oblivion, at Edel Assanti, continues in the same vein, speaking out about the disappearances, rapes and murders of women in Iran today.



Read the full review here





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