Interview with Monica Bonvicini at Baltic Centre for Contemporary Art

22/11/16

Interview: Monica Bonvicini

Monica Bonvicini: her hand around the room 

Baltic Centre for Contemporary Art, Gateshead

18 November 2016 - 26 February 2017

Known for her conceptual and installation art and sculpture, Italian artist Monica Bonvicini (b1965, Venice) is one of the most vital artists to have emerged during the mid-90s, going on to win the prestigious Golden Lion at the Venice Biennale in 1999. Her work investigates the relationships between architecture, control, gender, space, surveillance and power through the means of sculpture, installation, video, photography, text and performance. Known to UK audiences for Run (2012), her light installation at the Queen Elizabeth Olympic Park, London, Bonvicini is taking over levels three and floor of the Baltic Centre for Contemporary Art, Gateshead, with a survey show, including a significant body of drawing, as well as several newly commissioned pieces.

Although she was busy working on the final preparations for the exhibition, Bonvicini found time to answer some of Studio International’s questions by email.

Read this interview here

Interview with Marie Yates

12/07/16

Interview: Marie Yates

Some Dimensions of my Lunch: Conceptual Art in Britain (1956-1979). Part 2: Marie Yates 

Richard Saltoun Gallery

24 June - 22 July 2016

Marie Yates (b1940) graduated from Manchester Regional College of Art in 1959. After a period spent producing abstract paintings in St Ives, she returned to study fine art at Hornsey College of Art (1968-71). During this time, she was strongly influenced by the writings of Lucy Lippard and Yoko Ono and the beginnings of conceptual art. She began to produce her Field Workings – photographic and text works, documenting journeys or “procedures” in the countryside – and, in 1979, she made Image/woman/text (after Roland Barthes), exploring social preconceptions about photographic images of women, the way they are made, and their meanings.

In June 1977, Fenella Crichton wrote in Studio International: “Marie Yates is a woman working with landscape. Radical ideas do not fit easily into this framework, because we are deeply riddled with prejudices about both women and landscape, and as a result she has been widely misinterpreted.” This misinterpretation, sadly, seems to persist. Yates’s work is currently being exhibited at Richard Saltoun as part of the gallery’s conceptual art series, but the artist remains wary of labels. For her, art is key to social change and ought to form part of a larger discourse, critically engaging the mind.

Read the interview here