Showing posts with label Christianity. Show all posts
Showing posts with label Christianity. Show all posts

Tuesday, 29 November 2016

Interview with Emma Elliott

29/11/16
Interview: Emma Elliott

Emma Elliott: Reconciliation 
Noho Studios, London
2-4 December 2016
and
A+E Studios, New York
1-31 March 2017

The work of the 2016 Passion For Freedom ambassador, Emma Elliott (b1983), certainly fits the bill for her role: her current project, Reconciliation, to be launched in London on 2 December, before touring to New York next spring, highlights the suffering of humanity at the hands of its fellow humans, while also speaking of the hope for finding a way forward; for unity and for reconciliation.


Classically trained in painting and figurative sculpture in London and Florence, Elliott turned to working with marble for this ambitious project, sculpting a larger-than-life arm, marked with the stigmata of Christ and the tattoo of Eliezer, a survivor of Auschwitz, whom she met and befriended on a kibbutz in Jerusalem.



Elliott spoke to Studio International about the project, its message and her hopes for its future. 

Read the interview here


Image:
Blood Is Not Wet
2016
Print, dimensions variable
© the artist




Wednesday, 28 September 2016

Review of Michael Buthe at Haus der Kunst, Munich

28/09/16
Michael Buthe
Haus der Kunst, Munich
8 July – 20 November 2016


The name Michael Buthe (1944-94) is not that well known outside Germany – or even within – for the expressive artist, who developed his own style from the early influences of European art informel and American minimalism, collecting and collating ideas and artefacts from Christian, Arabic and oriental cultures, creating canvases, sculptures, installations and diaries, died at the age of 50 from a liver disease that had begun with jaundice in his youth. Similarly gay and Roman Catholic, Buthe has been compared to the American painter Paul Thek (1933-88). This five-gallery retrospective at the Haus der Kunst, Munich, presents a chronological overview of his oeuvre, centring on two large-scale installations, recreated from the little documentation that exists. It is enchanting and immersive, meditative and energetic – and certainly succeeds in earning Buthe his place in the canon.



Read the review here