Showing posts with label Anish Kapoor. Show all posts
Showing posts with label Anish Kapoor. Show all posts

Friday, 8 April 2016

Interview with Bernard Jacobson

08/04/16
Interview with Bernard Jacobson

Bonheur de Vivre
Bernard Jacobson Gallery, London
17 March – 27 May 2016

Art dealer Bernard Jacobson has been looking at art for 60 years and selling it for 45. But he is becoming increasingly disillusioned. “I think it’s the end of an era,” he says, going on to lament the loss of generous spirit and increase in megalomania and consumerist drive amongst contemporary artists. In fact, he doesn’t call them artists; “I call them businessmen”, he laughs wryly.


As an antidote to this despair, Jacobson has mounted a splendidly colourful and vibrant exhibition, featuring works by Matisse, Miró, Calder, Motherwell and Sam Francis, who, to him, epitomise the “bonheur de vivre” of the 20th century.  Matisse is quoted as saying: “Colour above all, and perhaps even more than drawing, is a means of liberation,” and it is certainly the key element in this joyous show.

Although never having worked with Matisse or Miró before, Jacobson is a staunch supporter of Motherwell, was a close friend of Francis, and met and was befriended by Calder as a young man. He spoke to Studio International about some of his memories, as well as some of his opinions on the state of the art world and his hopes for the future.


Watch this interview here




Saturday, 6 July 2013

Review of Collection Sandretto Re Rebaudengo: Have you seen me before? at the Whitechapel Gallery


06/07/13
Collection Sandretto Re Rebaudengo: Have you seen me before?
Whitechapel Gallery
18 June – 8 September 2013

Patrizia Sandretto Re Rebaudengo has enjoyed the status of one of Europe’s most prominent collectors of contemporary art since acquiring her first Maurizio Cattelan work in 1996. This past year has seen the Whitechapel Gallery share some of the highlights of her collection, otherwise rarely publicly seen, in four neatly curated quarterly displays. Following on from A Love Meal (19 March – 9 June 2013), which focused primarily on 3D works, Have you seen me before?, the fourth and final display, contains considerably more 2D works, a couple of sound pieces, and a whole host of glittering names: it’s almost like roll call for contemporary art’s A-stream.